![]() After turning a songwriting retreat with her friends into the inspired Lindeville last year, she’s back with a collection of songs for herself, The Devil I Know - all of which she’s credited on, a rare feat in country. J.C.Īshley McBryde, The Devil I Know (September 8)Įveryone in Nashville will tell you it starts with a good song few practice what they preach the way Ashley McBryde does. The rollicking title track - with a slinky, Chuck Berry–ish opening riff - is already a fixture of his live set, while the music video for “In Your Love” depicts a queer love story in rural Appalachia. Here’s what makes Tyler Childers such a singular figure in roots music: A year after he put out a triple album of country-gospel songs performed in three separate styles, he’s returning with a set of covers and originals inspired by mid-career Elvis and mules. Tyler Childers, Rustin’ in the Rain (September 8) Recorded on ranches in Joshua Tree and Texas, with co-production from Illuminati Hotties’ Sarah Tudzin, Rabbit Rabbit is a record rich in playful, scathing riffs and imagery. Superstition, aging, trauma, societal strife, labor solidarity - Sadie Dupuis is tackling a little bit of everything on the band’s fourth full-length. Speedy Ortiz, Rabbit Rabbit (September 1) Influenced in part by the deaths of two of the band members’ parents, Everything Is Alive is meant to be joyous and inspiring its singles, “skin in the game” and “kisses,” are hypnotically gorgeous. ![]() Slowdive, Everything Is Alive (September 1)Īfter waiting 22 years for the Reading shoegazers to release their 2017 self-titled comeback, a six-year gap between LPs doesn’t seem like a big deal. The new record, which sees the DIY punk hero confronting a world both literally and politically on fire, was recorded at Hollywood’s historic EastWest Studios and with a bigger budget than Rosenstock typically gets, leading him to frame the project as his take on a major-label debut (even though it’s being released on indie Polyvinyl Records). Jeff Rosenstock’s album titles sketch an anxious crescendo: 2016’s Worry., 2020’s No Dream, then Hellmode. Of the early single offerings, “Where Do We Go From Here” - a bold, bright, and ridiculous anthem about the mindless bliss of the dance floor - is the standout. Ten years after their breakout Charli XCX–written hit, “I Love It,” the electropop duo return with Club Romantech, a new album filled with the same sleek silliness they perfected on their 2013 full-length. If “Planet of the Bass” is any indication, the world is ready for more Icona Pop. Before the leaves drop, mark your calendars. That includes a young pop star aiming to eclipse her smash-hit debut, beloved indie-rockers returning to the styles of their earliest days, and, of course, a new-old Taylor Swift record, among plenty of other fantastic releases. It’s appropriate, then, that this fall’s crop of new albums contains a blend of belters and cozier fare across rock, rap, country, and more. Photo-Illustration: Vulture Photos: Ebru Yildiz, Getty, Larissa HofmannĪutumn is a time for slowing down and girding yourself for the onset of holiday mania.
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